What is Glitzkrieg? The Extended Dance Mix Version
Glitzkrieg is a term --well, an exclamation really-- that I first heard
squealed out by one of my more flamboyant colleagues in the theater.
It totally cracked me up but at the same time it resonated somewhere
deep in my psyche.
Looking back at what helped shape my aesthetic I don't have to dig very
deep to recall a sustained campaign of shock and awe throughout my
artistic development and why I wanted to call my business "Glitzkrieg".
I rarely missed a
Cher Show which always opened with Cher standing in
silhouette over the song's moody intro, followed by a tight head shot
to get a full gander at those lashes, lip gloss and bling and then
right when the verse kicked in, she'd rip open and toss aside whatever
fabulous wrap she was wearing to reveal a glimmering belly-baring
hip-skimmin' Bob Mackie confection to end all. All that is, until the
following week where it would start all over again. Ka-BLAM!
While I really enjoyed the actual show, I thought that by far the best
part of the Ice Capades was the dazzling technicolor souvenir programs
which I poured over a hundred gazillion times to take in every
sequined, beaded and fringed costume and drool over every skyscraping
feathered head piece. Ska-POW!!
Then there were the Saturday afternoon TV movies where I was glambasted
by the likes of
Mae West,
Marilyn Monroe and
Jane Russell, Carmen Miranda,
and all of those ridiculous Busby Berkely extravaganzas.
Jeepers!
Liberace? The King of Bling!
Prancing color-lit water fountains, the rhinestone covered limo, the
capes, the boots, the frock coats, ruffled cuffs, and gigantic diamond
pinky rings. I never considered his orientation, just appreciated
immensely the huge effort for fabulousness and spectacle!
I was a Barbie
junkie by the age of 4 and by the time I was
8 I had to start making my own doll clothes cuz I was over the nylon
mini dresses and plastic go go boots Mattel had to offer. I twisted my
Barbie and Diana Ross doll's hair into elaborate Jo Ann Worley-esque
up-do's and hand stitched ultra glam fantasy frocks and found my bliss.
Okay, just so you know--I do love all this girly stuff, but I'm also
very much into enjoying all facets of what it is to be a modern woman.
I'm all about celebrating every body type and honoring our uniqueness.
Of course men are welcome here, too!
It really makes no difference whether you want to make a sexy strapless
spangled dress or a burlap placemat --the main thing for me is that you
use your hands to make something that makes you happy. It's all
fabulous to me and getting to see that child-like glee in the faces of
my students makes me blissfully happy.
For more info about Leslie's work, visit these sites:
Costume Designer and Costume Shop Manager at Zach Scott Theatre
Leslie Bonnell: Sounds to Savor
Being a Winedaler Without The Class
Contact Leslie via email or call 512-440-0712